Commentary on Two hands Essay Example For Students

Commentary on Two hands Essay The poem Two hands, by Jon Stallworthy compares the hands of the persona with those of his father. The son is the voice of the poem and he describes the difference between his fathers hand and his hand. Although these hands are physically similar, expressed in the line hands so alike spade palms the personalities of owners of the hands, are very different. The title itself, the Two Hands, represents the two different personalities of the father and the son. The son on one hand, appears to be a poet. This is supported in the line; dance with this pencil where the sons hand, similar to his fathers, dances. The difference between the hands however is that the fathers hands are described as dancing when performing operations since he is a surgeon, while the sons hands dance when writing poems. We can already here assume that the persona is the poet himself, mainly because of some clear indications e.g. my father and also since Stallworthy obviously is also a poet. In this poem the son compares his hand with his fathers. The first line itself tells us that the personas father is a person with a job that involves a lot of research and studying. In the next two lines we come to learn that the father is a surgeon by profession. The idea of the father being a surgeon is backed up further by the medical diction; scalpel, stitch and Lancet. Lurking beneath the simple comparing of hands one can find an underlying description of the relationship between the father and the son and their feelings towards each other. The lines fingers with some style | on paper, elsewhere none and I have watched | the other save no one, serve no one, dance with this pencil hints at resentment as if the son feels inferior to his life saving father since he is only a poet. He says that he is only good for writing, not for saving lives or helping people. Also the way the father is described by the son (thirteen times led a scalpel and intricate dance) suggests that the son admires and looks up to his father and that he feels that he, himself, is not good enough. Furthermore the lines Who would have though | hands so alikewould have no more in common and I curse | tonight, at the other end of the house suggest a separation between the father and the son. Stallworthy has deliberately written this other end of the house as a metaphor to show the distance between them, not only physically but also in their behaviour. Stallworthy makes use of several different literary techniques in order to emphasize certain parts of his poem. An example of this can be found in the line that thirteen times where the alliteration of the ts accentuates these words and gives the line a somewhat chatty feeling which contributes to the colloquial manner in which this story is told. The same technique is used in the 1st and 2nd lines to draw together the words study, sits and stiffly and in order to, perhaps use the word stiffly sitting as well as the way the pen nods.  We also see that the persona knows that now he would be under the influence of his father, and feels quite frustrated at being under someones mercy. In his poem, Stallworthy frequently uses enjambment which then is followed by a caesura. An example of this can be found in the lines 9 and 15 where his use of the caesura allows the lines sense to be clear and it also influences the rhythm as to give it a feeling of natural speech. The punctuation, which comes after, then creates a somewhat informal air.  Metaphors are commonly used throughout Stallworthys poem in order to create an intricate mood. .ua827e579e2b9de9581f70fe711f88c92 , .ua827e579e2b9de9581f70fe711f88c92 .postImageUrl , .ua827e579e2b9de9581f70fe711f88c92 .centered-text-area { min-height: 80px; position: relative; } .ua827e579e2b9de9581f70fe711f88c92 , .ua827e579e2b9de9581f70fe711f88c92:hover , .ua827e579e2b9de9581f70fe711f88c92:visited , .ua827e579e2b9de9581f70fe711f88c92:active { border:0!important; } .ua827e579e2b9de9581f70fe711f88c92 .clearfix:after { content: ""; display: table; clear: both; } .ua827e579e2b9de9581f70fe711f88c92 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua827e579e2b9de9581f70fe711f88c92:active , .ua827e579e2b9de9581f70fe711f88c92:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua827e579e2b9de9581f70fe711f88c92 .centered-text-area { width: 100%; position: relative ; } .ua827e579e2b9de9581f70fe711f88c92 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua827e579e2b9de9581f70fe711f88c92 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua827e579e2b9de9581f70fe711f88c92 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua827e579e2b9de9581f70fe711f88c92:hover .ctaButton { background-color: #34495E!important; } .ua827e579e2b9de9581f70fe711f88c92 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua827e579e2b9de9581f70fe711f88c92 .ua827e579e2b9de9581f70fe711f88c92-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua827e579e2b9de9581f70fe711f88c92:after { content: ""; display: block; clear: both; } READ: Consider how Shakespeare crafts Act 3 Scene 5 to appeal to the audience EssayIn the line The phone has sobbed itself to sleep we can find personification (of the phone), assonance (of the os) and onomatopoeia (sobbed) which all together leaves the reader with a both magnificent visual and aural image. Another example of this can be found in the line A spasm shakes the phone at this elbow where the phone again is personified, this time embodied with a spasm. Once more the use of onomatopoeia (spasm) and assonance of the os creates a majestic picture. The use of the same techniques, in these two examples, draws the lines together and somewhat unifies them as if the phone at first has gone to sleep, only to wake up later with a spasm. The poets rhyme scheme is a different one and contains both regular and irregular rhyme. The rhyme is regular in the form A,B,B,A C,D,D,C; except in line 9,12 and 17 where the rhyme is broken which lays special emphasis on these words. Stallworthy has used this rhyme scheme in order to represent and enhance the suppressed and shattered feeling the boy has because of his inferiority complex to his father. Towards the end, in the lines 17-20, the poet has intentionally chosen to weaken the force of the rhyme in order to stress the words and to draw them together. The last line in the poem creates a sense of finality in the personas statement as if he is sure that his father is surely going to leave as soon as he gets a call. The pencil drops: he will be out again. He compares his hand to his fathers to show that his hand is immature and not that capable of doing work as fast as his father does. As he is inexperienced in life and is not as skilled as his father in the job of a surgeon he says that his hand moves slow as compared to this fathers. Over here he just describes his fathers efficiency in work whereas he is under the supervision of his father. To conclude, I feel that it is seen how Stallworthy has captured the mood of an inadequate son, suppressed by his fathers superiority by using several techniques. The regular rhyme which occasionally is shattered in co-operation with the diction and the various literary techniques, contributes to this atmosphere of insecurity. Stallworthy manages to create something we all can recognize; the feeling of being insufficient, not good enough, and not able to reach the expectations of our authority figures.

Tempest Character Analysis Essay Example For Students

Tempest Character Analysis Essay William Shakespeares last play The Tempest is a story about Prospero (the rightful duke of Milan). He is betrayed by his brother Antonio and left on a ship with his daughter Miranda to die. Only things are not going according to plan and Prospero and Miranda arrive on an island. Prospero is seeking his revenge. Coming back from a wedding in Africa a ship containing Prosperos enemies is attacked by the tempest and scatters its passengers about the island. Prospero uses three major character traits throughout the story including being powerful, protective and forgiving that will help him gain his place back in Milan. We will write a custom essay on Tempest Character Analysis specifically for you for only $16.38 $13.9/page Order now Prospero is a very powerful person and using his spell books he is able to conjure up some mighty magic. Possibly the most powerful thing he controls is Ariel (a spirit). An example of this is when Prospero says Hast thou, spirit, Preformed to point, the tempest I bade thee.(718) Ariel had the power to create a great sea storm and Prospero had the power to control Ariel which gave him great power. Another reason why Prospero is powerful is because of his knowledge of Caliban, Stephano, and Trinculos plot to kill the king. So when Prospero reclaims his place in Milan again hell have some mighty blackmail just incase he needs any favors or they try any thing stupid. This way theyll think twice before going against Prospero. Especially considering that Miranda will become queen. These are the reasons why Prospero is powerful. Prospero is protective of those who are close to him especially Miranda. Throughout The Tempest Prospero slowly makes sure Ferdinands and Mirandas love wont faid quickly. Prospero even called Ferdinand a traitor just to make Miranda seem harder to get. This way the couple wouldnt become a lost cause. When Prospero says They are both in eithers powers. But this swift business I must uneasy make lest too light winning make the prize light (726) he is revealing his true plan to Ariel that he wants to make Miranda harder to get. This is because Prospero feels their love will be stronger if it is harder to obtain. Prospero is also protective when he says the strongest oaths are straw to th fire I th blood(764) this was said to Ferdinand after Prospero makes him promise not to have sex with Miranda before they are married. He is stunned to see that after his promise Ferdinand is playing around with Miranda. Prospero just wont have any of this. This is how Prospero is protective of Miranda. Prospero is a very forgiving man, because near the end of the story he forgives the two people who hurt him the most Antonio and Caliban. An example of this is when he says to Caliban As you look to have my pardon trim it handsomely.(781) Prospero forgives Caliban even though he tries to rape Miranda, turns against Prospero, and tries to kill him. This was especially hurtful, because Prospero raises Caliban like a son. This was probably not as hurtful as the betrayal of Prosperos brother, Antonio. Antonio was the one who casts Miranda and Prospero out on a ship to die. Only they end up on an island for twelve years. Still Prospero forgives Antonio when he says for you most wicked sir, whom to call brother would even infect my mouth I do forgive thy fault all of them.(777) These are the reasons why Prospero is forgiving. Without being powerful, caring, and forgiving Prospero might not have ever gotten off of the island. Even though he must sacrifice his magic his daughters happiness is more important then his revenge. So he forgives his enemies. In the end Ariel is set free, Prospero regains his dukedom, Miranda and Ferdinand are getting married and everyone except Caliban got on the boatswains ship and headed home.

Rembrandt a Religious Painter essays

Rembrandt a Religious Painter essays The beauty of the images moves me to contemplation, as a meadow delights the eyes an subtly infuses the soul with the glory of God. (CCC 1162 found on Art as a form o Christian Meditation http://landru.i-link-2.net/shnyves/Art_in_Meditation.html ) Rembrandt Harmenszoon van Rijn was born on July 15 of the year 1606 in the university city of Leiden. His family was Catholic although his father was the only member of his family who converted from Catholicism to Calvinism in the late 16th century. His parents had 9 children, Rembrandt being the second youngest. At the age of seven, he was sent to the Leiden Latin School to prepare for the university... as his brothers were sent out to learn a trade. This suggests that at an early age Rembrandt showed a more than average intelligence and that his parents were willing to educate him for a profession, very likely as a city administrator. (The new Encyclopedia Britannica 1974) Rembrandt left the Latin School, at 14; he was very well trained in classical literature and a well-trained Latinist. Rembrandt then went to Leiden University were he found that his true love was for painting. His parents then removed him from the University and had him sent to a painter, Mr. Jacob Isaacxsz van Swanenburch. After three years with the painter his father took him to Amsterdam to the painter Pieter Lastman where he became an apprentice. His parents did this because Rembrandt showed more a liking in drawing and painting historical and biblical scenes and images and there was no painter in Leiden who was proficient in religious subjects. 1624 Six months further education at Pieter Lastman in Amsterdam, perhaps also for a short while at Jacob Pynas. (Rembrandts Life- His Biography screendesign.de/remfus.htm) Rembrandt then returned to Leiden to become an independent painter. He then moved to Amsterdam a ...

Free Essays on An Observation

I observed a 4-year old program. A. When I got there they were eating lunch and they all seemed to be very active there were 3 boys that were quite riled up and the teacher handled it by splitting them up and just talking in a quiet voice. They then lined up after eating and emptied their trays and milk cartons and walked to their lockers and put their lunch bags in them, by themselves. When we got to the classroom they had a bit of free play time and I observed quite a bit of sharing and cooperating for the most part. And they all cleaned up after themselves. When the teacher sang the clean up song. They then got out their carpets (pieces of carpet that had their names on the back) and put them on the floor and sat on them waiting for the teacher to start circle time. They did the calendar by having the leader come up and point to the numbers on it and they then told him what number came next. Next they said the days of the week and counted the children. After counting the children the teacher held up owls with a c hild's name on it and the children knew almost all the names by recognizing the letters in the name. After that was all done they read a weekly reader. This was very interesting they were able to pick out the right fire truck on the pages when the teacher said the name of it. And listened very attentively. They then colored and played some more and the ones who were coloring colored firedogs to bring to the fire station with them when they went. I watched as the children played and decided what they wanted to do. Some wanted to play with blocks and others wanted to play house, and they were asking others to play with them. This classroom was very open and not very demanding. I thought that the children had a lot of fun while playing and learned a lot also. Like for instance they learned the important rules of fire safety because the teacher had set up a fire station work area. And also by playing together with blocks or... Free Essays on An Observation Free Essays on An Observation I observed a 4-year old program. A. When I got there they were eating lunch and they all seemed to be very active there were 3 boys that were quite riled up and the teacher handled it by splitting them up and just talking in a quiet voice. They then lined up after eating and emptied their trays and milk cartons and walked to their lockers and put their lunch bags in them, by themselves. When we got to the classroom they had a bit of free play time and I observed quite a bit of sharing and cooperating for the most part. And they all cleaned up after themselves. When the teacher sang the clean up song. They then got out their carpets (pieces of carpet that had their names on the back) and put them on the floor and sat on them waiting for the teacher to start circle time. They did the calendar by having the leader come up and point to the numbers on it and they then told him what number came next. Next they said the days of the week and counted the children. After counting the children the teacher held up owls with a c hild's name on it and the children knew almost all the names by recognizing the letters in the name. After that was all done they read a weekly reader. This was very interesting they were able to pick out the right fire truck on the pages when the teacher said the name of it. And listened very attentively. They then colored and played some more and the ones who were coloring colored firedogs to bring to the fire station with them when they went. I watched as the children played and decided what they wanted to do. Some wanted to play with blocks and others wanted to play house, and they were asking others to play with them. This classroom was very open and not very demanding. I thought that the children had a lot of fun while playing and learned a lot also. Like for instance they learned the important rules of fire safety because the teacher had set up a fire station work area. And also by playing together with blocks or...

Assessing Materiality and Risk Simulation Case Study

Assessing Materiality and Risk Simulation - Case Study Example Investors are attracted to companies that have large profits and high dividends repayment. The company management utilizes audit information when making company strategies. Information about profits, losses, and market share help company managers make critical decisions regarding business processes (Boynton & Johnson, 2006). Materiality is the measure of the quantity and quality of item misstatement in a financial report. An audit statement enables the auditor to determine whether auditing has been carried out according to the financial reporting framework. Company items that have no effect on the judgment of the user of the financial statement can be omitted. Important items that affect the users’ judgment require auditor attention. The auditor must allocate materiality to sampled items in order to ensure some accounts are not ignored or under weighted. During auditing, only accounts that matter are audited, and materiality is attached after sampling. Every company has established materiality standards aimed at identifying misstatements in audit reports. Sampled accounts are checked against the set standards to determine the quantity of misstatement (Boynton & Johnson,

Argument essay Example | Topics and Well Written Essays - 750 words - 6

Argument - Essay Example scribes the preference given by educational institutions to certain applicants on the basis of their familial relationship to alumni of that institution. There is a long history of legacy admissions at American universities and colleges. Ivy League institutions such as Yale, Harvard etc. are estimated to admit 10% to 15% of freshmen based upon this factor. (Lexington). Harvard actually has special levels of legacy preference, methodically and elaborately distorting its standards on behalf of its alumni. The family of middle-class alumni enjoys a modest edge; the children of major donors receive double preference in the case of admissions. (Daniel Golden) This fact is confirmed by national surveys conducted by American Association of College Registrars and Admission Officers showing that legacy admissions are made at both public and private institutions. Also supporting are the statistics that show the percentages of legacies in different colleges that are definitely more than affirmative action admissions- Notre Dame 23%, Harvard 11%, University of Pennsylvania 14%, Princeton 11% and University of Virginia 11%. (Howell & Turner) Colleges should not give any preference to those who are more likely to have other socioeconomic advantages anyway, such as the children of alumni. Admissions should be made strictly on the ground of merit and exceptions should be made only on morally acceptable grounds such as talent and underprivileged class or race etc. A great example of the injustice of the legacy system is George W. Bush who was admitted at Yale in 1964 with an average grade of C and SAT verbal score of 566 just because he was a third generation legacy. How do you justify that? His admission and of those like him reduces the admission chances of meritous students who expend enormous effort in getting good grades or honing special talents this practice also uses up seats reserved for affirmative action admissions of blacks and others. Affirmative action refers to

Women’s Influence on the Development of David Lurie’s Character (Coetzee, 1999) Essay Example for Free

Women’s Influence on the Development of David Lurie’s Character (Coetzee, 1999) Essay Lurie’s own conclusion motivated this examination of the influence of women on his character: â€Å"The truth is, he had never had much of an eye for rural life, despite all his reading of Wordsworth.   Not much of an eye for anything except pretty girls, and where has that got him?† (p. 218). Of course, the question of â€Å"where† is rhetorical, but the question of why the persona of the scholar no longer allowed him to indulge his â€Å"eye forpretty girls† was the central question in a novel focusing   on changes in South Africa since 1994, when Apartheid ended. The â€Å"scholar† with an Eye for Pretty Girls As the only boy in a house of loving women, whom he, in turn, loved, Lurie recognized that becoming a handsome young man made it easy for him to find responsive women (p. 7).   Based on his age in 1999, 52 years, his age for choosing a career was in the late 1960s, when South African white society was similar to societies in the United States and Western European democracies at an earlier time. Consider the kind of career which would not only permit an obviously well-educated and intelligent young man to pursue his main interest in pretty girls,† but also would enhance his ability to do so.   Lurie probably would not have been consciously aware of such a goal.   However, there are decisions that are influenced by unconscious motives (Hunt Ellis, 2004). In South Africa, when Lurie chose a career, the persona of a â€Å"scholar† at universities and colleges was esteemed and brought a life of privilege.   In a satire on academia that unintentionally mirrored Lurie’s approach, anthropologist Ashley Montagu (1959) advised young academics in the United States to â€Å"remember that your progress in Academe will depend not so much on your intellectual abilities than upon your skill as a personality that is, in the skill of displaying few assets in a convincing manner† (p. 10), where â€Å"a want of original ideas constitutes not the least impediment to productive publication† (p. 23). Lurie, after â€Å"a career stretching back a quarter of a centurypublished three books† (Coetzee, 1999, p. 4) he knew were uninspired and recognized he had â€Å"never been much of a teacher† (p. 4).   However, until Apartheid ended in 1994, the persona of a â€Å"scholar† was perfect for one who actually had only an interest in â€Å"pretty girls† (p. 218).   As an attractive man in an esteemed profession, â€Å"for decades the backbone of his life† was a result of a â€Å"magnetism [where looking] at a woman in a certain way, with a certain intent, she would return his look† (p. 7). The Women in Lurie’s Life The little we know of Lurie’s first wife was revealed only in response to a question about her, a brief response that she was Dutch and returned to Holland after her divorce.   We don’t know how he felt when he married her, but what seemed a genuine indifference and lack of interest suggested she was not an important influence on the development of his character. We know that he and his second wife, Rosalind, experienced passion: â€Å"His best memories [were of] Rosalind’s long, pale body thrashing this way and that in the throes of a pleasure that was hard to tell from pain† (p. 187).   He believed that â€Å"what held them together [was only that they were] two sensualists† (p. 187). However, regardless of her sensuality and of how old she might have been, she clearly would not have been described as a â€Å"pretty girl† but as a confident and independent woman who both had a mind and did not hesitate to express her thoughts.   Her influence on David’s character might have been in his developing the ability to have non-sexual relationships with adult women, as evidenced by his post-divorce relationship with her. Regarding Lurie’s own belief about the influence of women on his character, he concluded that he was â€Å"enriched† by each of the hundreds of women in a life consisting of sex with â€Å"women he has known on two continents, some from far away in time that he barely recognizes them† (p. 192).   Readers cannot know how each or any of the women â€Å"enriched† his life, but his choices were varied.   Before Apartheid, â€Å"pretty girls† who were his students were easily seduced because â€Å"scholars† still were held in awe. When black African students gained access to college educations, their experiences had not led them to idolize any white males, an attitude that spread to other students. When the demand for courses that could be applied in jobs after college was met, Lurie’s institution, Cape Town University College, became â€Å"Cape Technical University,† and instead of being â€Å"a professor of modern languages,† he became â€Å"a professor of communications† (p. 7).   With less access to young students, his â€Å"women† ranged from prostitutes to the unattractive, middle-aged country woman Bev, he described as â€Å"almost waistless, like a squat little tub† (p. 149). If one uses imagery in reading this novel, such scenes take on a comic tone.   Another example of visualization resulting in a scene turning comic occurred while Lurie actually was demonstrating a passion in creating a work of art as he wrote an opera about Teresa, the beautiful young countess who had been in love with Lord Byron. In the opera, he depicted Teresa years after Byron’s death when she had become unattractive, looking â€Å"more like a peasant . . . than an aristocrat† (p. 181), relentlessly singing â€Å"mio Byron† (p. 183), resulting in comic imagery.   The comic element was enhanced because While Lurie did know that Byron did not feel about Teresa as she thought he did, Coetzee did not write what he must have known Byron wrote to a friend about his embarrassment when Teresa called â€Å"out to me ‘mio Byron’ in an audible key† (1819/2009).   Sadly, Lurie himself came to realize that the opera was â€Å"going nowhere. There is no action, no development [and he] has not the musical resources, the resources of energy to raise [the opera] off the monotonous track on which it has been running since the start† (p. 214). Despite the comic imagery elicited when Lurie had sex with Bev, his relationship with her did influence his character.   In working with Bev (at first to satisfy his daughter) at the clinic where there was no choice but to kill pathetic, unwanted animals, he became able to form unselfish relationships with the animals. Earlier in his life, one event clearly did influence the development of Lurie’s character, the event of becoming a father.   The first interactions in the novel between Lurie and his daughter, Lucy, made one conclude that the one unselfish relationship he had as a young man was the father/daughter one that began with Lucy’s birth.   (It was not possible to find a reason for Coetzee’s obviously non-coincidental decision to have Lurie choose the name used in a series of rustic, romantic poems by the poet of Lurie’s academic specialty, Wordsworth, 1798-1801/2009.) Her brutal rape by black men (representing not racism, but Coetzee’s depiction of the after-effects of ending Apartheid) most certainly shook him out of his lassitude, but did not influence his character in the sense that his obviously unselfish concern for her well-being and his efforts to protect her after the rape were not unexpected. In general, however, Lurie’s character did not seem to change very much since the time he was a young man.   Toward the end of the novel, after he was not permitted to watch Melanie in a performance, his behavior demonstrated the character he had from the beginning.   After having sex with a young prostitute, he feels â€Å"contented†:   â€Å"So this is all it takes, he thinks.   How could I ever have forgotten it?† (p. 194).   Perhaps the most interesting question about the novel was how Coetzee was able to make an essentially superficial man into a complex, absorbing, and sympathetic anti-hero. References Byron, G. G. (1819).   Lord Byron’s letters and journals.   Ã‚  Ã‚  Ã‚   Jeffrey D. Hoeper (Ed.).   Retrieved March 17, 2009,   Ã‚  Ã‚  Ã‚   from www.engphil.astate.edu/gallery/byron.html. Coetzee, J. M. (1999).   Disgrace.   New York: Penguin. Hunt, R. R., Reed, H. C. (2004).   Fundamentals of   Ã‚  Ã‚  Ã‚   cognitive psychology.   New York: McGraw-Hill. Montagu, A. (1959).   Up the ivy.   New York: Hawthorn. Wordsworth, W. (1798-1801).   Lucy.   Retrieved March 17,   Ã‚  Ã‚  Ã‚   2009, from www.poetry.archive.com/w/lucy/html.